I can’t say exactly what I was expecting from my first Ali Hazelwood book. Her romances are so beloved, and I love that they feature amazing STEM women being smart and getting the guy. And quirky. My goodness were all the ladies in this book the quirkiest things around. I didn’t read “Love Hypothesis” because the Reylo vibes aren’t my jam (but you all do you, I support it) but even so, I feel like a lot of “Love on the Brain” and “Love Hypothesis” were the same? It’s probably just the authors style, and if that’s the case, if all her books feature these things, I may be out.

If you’re looking for a cozy thriller that has a team of young women with Charlie’s Angels vibes, tech that even James Bond would be jealous of, and with just a sprinkling of sweet romance, then “Spies Never Quit” may just be for you. In the first book of the series (each book following a different woman in the group) follows Mari, a brand-new college freshman, as she attempts to rescue her mother. Mari’s mother is a brilliant scientist working on nano-bot technology who has been kidnapped in order to force her to give up her specialized codes for evil gains. Mari would do anything to save her mother, and, lucky for her, retrieving her mother’s work just so happens to be the Banana Girls mission, too. Normally, I am all for a spy thriller with a predominately female cast of characters, but something always felt just a tad off to me throughout the story.

Ever since reading “The Girl with the Stars in Her Eyes” I’ve been waiting for a new release from Axelrod, and behold! She is here and she is stunning! “Love on the Byline” follows former college classmates and secret crushes as they reconnect five years later. Now, Blake is a cub reporter at a gossip magazine that she hates, and Oliver is the best friend turned personal assistant to her latest celebrity assignment: the arrogant Brandon Cody, who, on first appearances, doesn’t look like he’s changed much from when she last saw him. But, much like Axelrod’s previous release, our main cast of characters are filled with a surprising amount of depth, accomplish huge growth amidst interpersonal mysteries and secrets, oh, and have palpable tension and steamy encounters, all packed into a very smooth contemporary romance. Seriously, Axelrod is quickly becoming one of my auto-buy authors!

“Two Rivers” is a slice-of-life antebellum story like no other. It offers an intimate look at the life of the enslaved on a rice plantation outside of their forced labor duties. But even describing it as such doesn’t quite capture the weight of this book. While the narrative follows many characters, the 84-year-old Uncle Posey is front and center for much of the story, experiencing loss, love, and the struggles of life. The author doesn’t need to show the horrors these men and women faced while in the fields. Instead, Rogers shows us the more domestic side of the enslaved lives when they are swapping stories and meals, with Posey—originally—merely wanting to keep grave robbers from stealing his sister’s body, and finding love and peace again after being a widower for so long. With his sons gone—sold after a failed rebellion—Posey knows too well that there is no such thing as a “good” master.  Even if he is treated with kindness, he knows that such kindness is meaningless. With characters like Posey in the situation they’re in, the reader is shown the brutal and uncomfortable relationship between the enslaved and the enslavers on a “friendly” plantation.  For a historical fiction, this book gave me hints of “Stamped from the Beginning” with its window into the origins of racism, as well as “Kindred” with the story’s more intimate look at the lives of the enslaved when they aren’t being forced to labor for another’s gain.

If you are a fan of slow burn, rock-and-roll romances in stand alone contemporary books, and also happen to be a big music aficionado, I cannot recommend “The Girl with Stars in Her Eyes” enough. We follow our FMC as she navigates the recording world, having finally left her middle of nowhere town and gotten away from her less than stellar home life, all after being abandoned by the boy who swore they’d escape together and make a name for themselves together. Toni is an incredible guitarist, but in a world that’s still very much sexist (and racist though the author focuses more on the sexist aspects) Toni, who prefers to work behind the scenes, is constantly passed up for her less talented, male counterparts. It’s after one such encounter where the boy who broke her teenage heart comes back unexpectedly into her life. What follows after that meeting is a sweet, sort of second chance romance that really dives deep into the characters, their emotions, and growth from who they were as teenagers, to who they are when the book starts, and beyond. It’s a well written character driven romance, even if the book does feel its length at times.