“The Urban Boys” follows five friends in high school who, after one night in a preserve their families have forbidden them from going into, are gifted with heightened senses in order to protect a luminous supernatural race, and by proxy, all of mankind. But for such high stakes, the boys thankfully can save mankind by simply protecting their idyllic town from the evil-doers that have taken over a neighboring town. Stuck in a conflict that has been simmering for twenty years, it’s up to these five friends to keep strong, and save their town when no one else is capable of doing so. This is a story that attempts to cover a lot, especially with such a large cast of characters, and it’s a book I think is far better suited for middle-grade book lovers. If you go into it with that mindset, I think you’ll enjoy the “Urban Boys” a great deal.

I am a huge Locked Tomb fan, just ask the tattoo of Gideon the Ninth I got on my shoulder. So to say my expectations for Nona the Ninth were high would be putting it mildly. I love the voices and characters and the gothic sci-fi fantasy that Muir has created. Her ability to create such distinct voices for each and everyone of her main cast, even outside of Harrow and Gideon is, to me, masterful. But I was worried when this planned trilogy suddenly became a quadruple series. I was curious why Nona was so interesting or unique that she required, suddenly, her own book. Unfortunately, this story was the weakest to me in the series, especially when put up against Gideon and Harrow’s title books.

This is my first Colleen Hoover book, and with all the hype surrounding this author, I will admit I was expecting a lot. I wanted to read “Verity” mostly because it’s a romantic thriller and I wanted to read something that was meant to be a bit unsettling. And the premise of “Verity” is definitely that! This book very much has “Gone Girl” and “Jane Eyre” vibes where you have a relatively unknown author coming in to finish a very successful author’s series. Verity cannot finish her series being confined to a near vegetative state in her home, so never one to let a good series go to waste, her publishers bring in Lowen to finish out the series. Lowen is a thriller writer herself, so that’s kind of the justification for her being qualified to take over Verity’s work, who writes her books from the villains POV. As Lowen tries to figure out how to write this series, she stumbles across Verity’s autobiography and uncovers not just the depth of this family’s tragedy, but how deranged this successful author is, all while falling in love with Verity’s husband. There are definitely some creepy elements but ultimately, the longer I sat with this book and thought about it, the more I disliked both the story and the way it was written.

This is going to be a short review mainly because you can’t talk about the 3rd Compendium without spoilers for the other 2 volumes, and just for specific parts of this third massive installment of “The Walking Dead” in general. I mean, the book is over a thousand pages long! I can’t talk about the stuff I liked toward the end without massively ruining earlier story lines! So I’ll try to be as vague as possible when it comes to the story, and the things I thought did, and did not, work this time around.

“Lady Killers” is a much-needed spotlight on female serial killers. It’s often believed that there are either 1. No women serial killers or 2. The ones that do exist aren’t nearly as scary or worth remembering as their male counterparts. While this book takes a look at fourteen different women serial killers—the methods they used, and a little bit about why in the context of the place and era they lived—this book is also part feminist study as to the language used around reporting and discussing women murderers. It, oddly, gave the book a sarcastic tone which I didn’t mind, but is a little… weird for a book with this kind of subject matter.