It's hard reviewing and rating nonfiction books, especially True Crime. I feel like I say this with every True Crime book I read, but I have yet to be proven wrong about it, so here we are. I’m not rating the crimes themselves, the severity or even how the cases played out in court. I’m simply rating how the author chose to relay the information to the reader. Ann Rule is in a unique position as a True Crime author, as she used to be a police officer, so her books always bring an interesting level of detail to them that’s garnered through first hand experience. Perhaps her most famous book is “The Stranger Beside Me” where she herself was blind to the fact that her friend was Ted Bundy—yes, that Ted. But the “I-5 Killer” is just as tense and intriguing, even when Rule does not have the same personal connection that she did with Bundy. And while the book started off strong—full of tension and horror, it did get bogged down with a type of dry repetition before long.
What do you get when your cross the concept of Jurassic Park with a B horror movie? You get the fast-paced “Monsterland”, that’s what. “Monsterland” is pretty much exactly what it sounds like: a theme park full of real-life monsters, namely zombies, vampires, and werewolves. The premise being that vampires and werewolves have always lived amongst us, just hidden, until a plague that created zombies sweeps the planet and now a billionaire mogul, Vincent Konrad, decides to make a theme park housing all these monsters for “study”, and profit obviously because why make a theme park out of it if you didn’t want to make cash? Wyatt, one of our many MC’s (but the main, main one) idolizes Vincent and wants nothing more than to go to the park opening night. He gets his wish, but of course everything changes and this supposedly “safe” park is anything but. Things escalate FAST once Wyatt and his friends are in the park, perhaps too fast to really get a feel for, well, anything. Hence the B movie vibe…
“Head On” is set in a near future world where a new disease (Haden’s) leaves some of the population completely unable to move, and yet they remain fully conscious in their minds. The solution? Those suffering from Haden’s can access a “threep” a type of robotic body that they control in order to interact with the world when they want to, and when they don’t? They hang out in a virtual world just for them. While “Head On” is the sequel to “Lock In” both books are their own entities in that, outside of the main character, FBI agents Chris Shane (a very, very wealthy Haden) and his partner Agent Vann, nothing from the two books overlap. They focus on totally different cases and Scalzi still explains the threeps and how Haden’s Syndrome works along with the prejudice those in their threeps face on a daily basis—both as micro aggressions and overt distrust. And while “Head On” is thoroughly enjoyable on its own, you’ll want to read “Lock In” first, trust me.
I had to take my time with this review so it wouldn’t devolve into a jumble of screeching and excited gurgles. But trust me when I say that this book is like riding a roller coaster while tripping. But, you know, in the most masterful way possible. Muir is easily, and quickly, becoming one of my favorite authors; not only can she craft such a gothic and macabre, gory and intensely beautiful world, but she successfully uses ALL THREE types of POV’s in this book in order to build the most amazing mystery and the best pay out for said mystery that I’ve read in a long, long time. Which makes writing a review for this book so, so hard… I don’t want to say anything for fear it mat spoil something, which would ruin everything. But let’s give it a try, shall we?
Imagine waking up naked, in a cell with two rotting corpses, and then a man in rags with two katana’s breaks down your prison door and basically says “come with me if you want to live”. That’s how we start “The Last Day in Hell” where our main female MC, January, wakes up confused, not knowing anything about herself or who she was, not even her real name, the only fact she knows is that she is naked, dead, and the date she died. When our main male MC, Jack, and his crew find her they explain the world January suddenly finds herself in, and how they have to traverse this hellscape full of monsters in order to reach a door that could potentially lead them out of Hell if they are chosen. They don’t know why they are in Hell to begin with, so proving themselves worthy of getting out of this place becomes difficult when no one really knows what to do in order to atone. The book starts off action packed and full of intrigue. I originally loved the premise of this story, but the more I read, the more I realized this book just wasn’t for me.
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