I had heard a bunch of good things about “Out of the Shadows” by fellow authors, so when the books popped up as a bundle sale I immediately bought all three in one go… and then let them sit on my kindle forever because I suck. But I did it! I finally read the first book! “Out of the Shadows” follows Lenore as she tries to hide from the sins of her parents, rejected by society and forced to steal for a living in a world where such crimes could land you in prison and tortured for the rest of your days. The land Lenore lives in is post-apocalyptic, but not set in a broken city like most other books. Instead, the people remember the great war that led to the end of magic and wondrous contraptions, and gave rise to the brutal peacekeepers known as the Enforcers. Lenore is barely surviving, when a chance encounter that could be ruinous turns into a blessing and opens a world of opportunity, as long as no one ever finds out who Lenore really is.

Have you ever wondered what it’d be like if Wonderland was real? If the story by Lewis Caroll was just a poor retelling of a traumatized princesses’ desperation to hold on to her memories regarding the home she had to flee, and has no idea how to return to? That’s precisely what “The Looking Glass Wars” is all about. Using Caroll’s narration style and twisting his world, Beddor brings to life an alternate telling of “Through the Looking Glass” where Alice is actually Alyss Heart, next in line to the throne, and her aunt Redd (The Red Queen) has been driven mad with lust for power and brutally wrestles control from the young princess. Mad Hatter is not a riddle loving tea addict, but an elite bodyguard for Alyss known as Hatter Madigan. The Cheshire Cat is now a shape shifting assassin known as The Cat, and the magic of Wonderland is based on the powerful imagination of its rulers. It’s really rather clever in terms of retellings with wonderfully dark twists that are perhaps more suitable for older fans of Alice in Wonderland, who aren’t so purist in their love that they won’t mind the liberties Beddor takes.

The title of this book, coupled with the vaguely angelic looking, tribal painted model would have you think this book is some introspective art piece, I mean, the title is essentially a messenger’s speech/monologue, which, it actually is. The monologue I mean, not the art piece. Messenger, the 16 year old main character, is telling the story of what happened to him, his family’s tequila farm, and his entire family plus his love interest, to a therapist of sorts while he recovers in a hospital. The entire book, with very few exceptions, is told through this dialogue, recounting the recent past. Basically, on one rather normal day, Messenger’s farm is destroyed by three alien ships as they land and then begin hunting for something on the property. What follows is the main characters tale of how they ran, what they found, and how everything changed from that moment on.

“Furthermore” feels like a mesh between The Secret Garden and an Alice in Wonderland retelling, something only compounded by the main character being named Alice, as well. In the land of Ferenwood, everyone is blessed with an abundance of bright colors, from their eyes, to their hair, to their skin, and the more color they have, the more magic they can command. Alice is almost completely white, except for a bit of brown around her eyes. She has always hated this; hated that she wasn’t as colorful as everyone else. And when her father vanishes (three years ago from the story's start) she hates her lack of color and her talents even more. With a mother who ignores her and seems to not like her, and with a town that rejects the talent she offers them, Alice runs away with her “friend” Oliver to bring the only person who ever understood her and loved her just as she was back: Father.

“The Guardians Crest” is the third book in the “Guardians of Zion” series, and like the previous book, this particular volume makes the most sense if read in order, so you know the players etc. If you haven’t read the first two books, go do that now and then come back to this review, as there might be some mild spoilers for those books lurking in this review.  Now, as is customary, the author starts the book with an introduction that 1. Kind of reminds the reader where the heroes left off and 2. Tells you a bit more of what this book is about and a little reasoning as to why Chrobak choose to start the novel the way he did: going back to when Thomas was first discovering his faith and powers. This time, however, we’re focusing on his little sister’s experiences, and the author also explains why he chose to include some of the demons this time. Normally, I’m not a fan of introductions like that because I don’t want someone to tell me what I’m about to read, but, for this book, I appreciated it because it was necessary for one very important reason: we don’t visit Thomas and where book two left off until about half way through this novel.