A Song Below Water (A Song Below Water, 1); Bethany C. Morrow

First and foremost, I would say that “A Song Below Water” fits more comfortably in the magical realism realm of fantasy, rather than urban fantasy, and here’s why. In this version of America (and Portland where the story takes place) mythical creatures like sirens, elokos, sprites, and mermaids are real and their existence is not questioned. Tavia is a siren, and her best friend/sister is not, but is sent to live with Tavia for her own protection. They have a gargoyle that sits on their roof and people don’t really care outside of the creature being rare and therefore a bit of a novelty, even though Tavia’s dad really wishes it wouldn’t come around. Because Tavia’s father is terrified of his daughter and doesn’t want the added attention to their home. He’s not scared for her, not anymore, but of her. But the story doesn’t focus a ton on that aspect of the relationship outside of Tavia’s extreme pain and isolation centered around her feeling like her family hates her and wishes she was anything other than a siren. There’s a lot of trauma this book addresses, both familial and racial, but the racial aspects take front and center, as they should, but it leaves the family aspect a bit unresolved. For “A Song Below Water” is not about Black sirens, but about being Black while being a siren.

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