“Laura and the Shadow King” sounds far more ominous than the story actually is: “Shadow” is the name of an elite force of military operatives, and “King” is the nickname of the man in charge of shadow—J.J. Berger. In J. J’s world, a rampant disease has swept through civilization, turning people into a type of zombie, where they devolve into cannibalistic animals, and one bite will infect and turn a person into one of them. Governments have collapsed and the only people in charge are groups of militia, military units, and gangs. It’s a fairly familiar storyline, but the one thing that makes it unique is Laura and her mother, and their role in this new world. Unfortunately, I found the writing style to be the biggest determent in my enjoyment of the novel.
“Demon’s on the Dalton” is the second in the Hell Hole’s serial trilogy, and picks up pretty immediately from where the first in the series left off. Although, this book spends a decent chunk early on recapping and re-familiarizing the reader with what happened in the first novella, so if you don’t read the first one, I don’t think you’ll be totally lost, though I do think the excitement of the first book is higher than in the second. We get Angela’s perspective this time as our trio of survivors race across the Dalton. The majority of the story is spent with our characters in their vehicle, barely able to stop to pee on the side of the road before all manner of hell spawn is on top of them. Their mission is still primarily to survive, to get to Fairbanks, and safety. But as the U.S. military mobilizes and starts their counter attack, their mission shifts, becoming more than just survival, but helping the powers that be to end the unending wave of demonic creatures that are pouring into our world.
At first I thought “Hell Holes” was going to be a science fiction novella given the cast of main characters are all scientists or researches in the natural sciences. And, admittedly, the first half of the book feels like a true science fiction as the characters explain the science and their reasoning for what the mysterious holes popping up all over Alaska could be or what may be causing them. Then it takes a pretty hard left into pure horror/paranormal action. “Hell Holes” starts off as a quest for answers about these holes and what can be done to keep them from interrupting a lucrative Alaskan oil line, then ends on a high speed chase across the tundra as the scientists are hunted down by all manner of hell-spawn and demons. Was I disappointed by this turn? Not really. But I was taken by surprise.
I don’t typically read horror novels. Not because I scare easily, the opposite actually. I never get as creeped out reading as I would watching something, so I’m probably the worst person to judge if a book is actually scary. “Demon’s Prize” is meant to be scary at times, and there definitely is some creepy imagery, but since I’m not sure what most people find terrifying when I have a hard time defining that for myself, I’m not going to spend much time talking about the scare factor. Needless to say, The Alpha Wolf series is a paranormal, urban fantasy that fits nicely for New Adult readers. The book follows four friends—who are werewolves—as they embark on trying to make their dreams come true with their band. Along the way, they meet Brent, an alpha werewolf with secrets of his own that the young pack desperately tries to unravel no matter how much Brent pushes them away. The story follows the four werewolves and Angela—a werewolf hybrid—as Brent intervenes when Angela is nearly taken by a demon. Following that incident, the young werewolves are determined to save Brent at all costs, even though one of their pack really doesn’t want to. So, yeah, you can see exactly why some people may find this creepy or scary, so consider yourself warned.
I’m not a big fan of omniscient POV’s generally speaking. Of the works I’ve read that attempt a true omniscient 3rd person, I’ve never felt like I’ve gotten a good sense of the characters, and the jumps between what one character knows or is doing can be hit or miss, at best. But “Heart of Jet” may change all of that for me! The story follows two Manhattan socialites, I want to say in the very early 1900’s, as they embark on a journey to Scotland where their recently deceased relative has tasked them with easing the tormented soul of their family’s old estate on the Scottish moors. Shedd’s lyrical omniscient style of narration perfectly captured the setting of the era, as well as set the tone for the haunting love story that followed.
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