“The Nature of Witches” is a true, and beautiful, YA story featuring a heroine born with a wonderful and strong power that she does not want because of the devastating effects it can have on those closest to her. Clara, as the only Ever in over a century, is desperately needed to hold the world’s atmosphere together while witches and non-witches alike figure out how to reverse the effects of climate change.  But Clara feels too out of control, too scared of her own magic to want the responsibility. If she can’t keep her magic from hurting those she loves, she’d rather not have it at all. See what I mean about this being a true-blue YA novel? This book is very much a coming of age, self-discovery novel with the overall message being: love heals, but you have to be willing to let it. It’s a beautiful message, and there were some equally beautiful scenes in this book, too. So why was I kind of “meh” about it?

“The Changeling” feels like two books in one. You have the contemporary fiction of a young black family navigating their new life changes when welcoming a baby in New York City, which includes dealing with the racism they face as very bookish people—Apollo is a book man, hunting down rare books, and Emma is a librarian. But it’s also a story that closely aligns with the traditional folklore around changelings (I won’t go into details just in case you aren’t familiar and want to be completely surprised by this novel). Marrying those two stories is tricky, at the best of times, but Lavelle does a fabulous job, for the most part, of weaving a chilling, slow burn contemporary thriller with a fantasy horror story. The effect is a literary fiction that I can totally see college or advanced High School students dissecting in their English classes. But the connections between these two worlds wasn’t always there, so the author had to take great leaps on occasion, plus there is just one thing I cannot forgive Emma for…

“Mastermind” is the third book in Swed’s “League of Independent Operatives” series, so if you haven’t read the first two books then… hey, hi, you should read those and then come back here so we can better discuss this baby. Because in “Mastermind” we are once again put in the middle of two different groups of powered vigilantes who love to point fingers at each other, while bigger, badder problems and forces loom on the horizon. In this third book, we get more emotion from our main character, Mary, as she deals with the consequences of her actions from book 2, and while Mary is forced to confront those demons and learn to trust herself again, she’s pretty much the only character that faces their inner misgivings head on, whether for good or ill.

*sings* “Carry on my wayward son, there’ll be peace when you are done…” Good, now that I have summoned Supernatural fans worldwide, come, sit right here and let me tell you about this fabulous debut novel, “Resurrection Road.” We follow a mage with no memories from beyond 5 years ago, and two cousin hunters doing their thing, when one broken down car brings this trio, and their literal best dog in the world, together to find a missing friend. And, because we’ve got two hunters leading the search and rescue party, there’s many a detour along the way to put down ghosts, releasing them back into the Good Night where they can complete their journey. But not all the spirits and monsters this group encounter are what they seem, while others are exactly what they seem to be. All the while, through the hunting and searching, these three characters grow in incredible ways, from not being trusting of mages—and people in general—to trying to prove their worth not just as a hunter, but person, to deciding not to run from some mysterious past, but toward a grounded future. Honestly, there is a reason why I summoned you SPN fans here, and that’s because this book is for you!

Gaiman has always been hit or miss for me. Some of his books I love, some I don’t care for, so I wasn’t sure how I’d feel about Neverwhere, outside of the fact that there’s something deeply satisfying about holding the illustrated version—something about thick little hardcovers is just the best feeling. Anyway, Neverwhere is a not subtle in its message: the homeless are invisible to those who want to pretend the “problem” doesn’t exist—but make it magic that has a very Tim Burton feel, because this is Gaiman, after all. When Richard sees one of those who have fallen through the cracks—a citizen of London Below—and proceeds to help her, it sets off a chain of events that plunges him into London Below and makes him just as invisible to London Above, and his old life, as the rest of the characters in this novel. In which there a lot, all of which are unique and magical and so beautifully distinct from each other. I even loved Mr Vandemar and Mr Croup who are unequivocally terrible people, but they are written in such a creative way that I couldn’t help but love them just as much as Richard and our heroine Door, with her opal-colored eyes.