I don’t know where to begin with this book. I was unprepared in the best way possible. You see all these blurbs and quotes about lesbian necromancers in space and you think “that sounds neat”, and then you meet Gideon Nav of the Ninth House and her necromancer, Harrowhark and see them try to kill each other in like, the first two chapters and then get summoned by the Undying Emperor to earn a place at his side, and Gideon smuggles sunglasses to this undying party, and suddenly, the things I thought I knew going into this story were decimated by Gideon’s glorious biceps. I was utterly blown away by this book, and the incredible writing. Seriously, everything about this novel is goals.
It’s been a little bit since I re-entered R.M. Garino’s epic fantasy series, Chaos of Souls, but man, starting “Angels of Perdition” reminded me just how much I loved Garino’s writing. The immense world he’s crafted, and the complex political and familial intrigues he weaves into his stories, alongside some really wonderful action sequences, are just as well-crafted as I remember from the first book. This book is a chunky boy, but I never felt like it was undeserving of its length, like the author was unnecessarily waxing poetic. In fact, this book could have been another 50-100 pages longer and I wouldn’t have minded (and, in fact, would have welcomed it). But as this is the second book in the series, don’t read this review if you haven’t at least read the first book, as there are bound to be mild spoilers, but really, don’t let the size of these books keep you at arm’s length. This is a beautiful, epic NA fantasy that I still full-heartedly recommend to everyone and anyone who loves a good multiple POV, and intriguing fantasy series.
“Anti-Hero” picks up shortly after where “Alter Ego” leaves off, with Mary’s secret identity in shambles and on the run, hunting down those responsible for taking her parents away, and dismantling the lies she held as truth for most of her life. So, don’t read this review if you haven’t read Alter Ego yet (and you should read that, by the way) because there will be mild spoilers for the first book in the series in this review. But in this middle book of the trilogy, Swed does a wonderful job of both answering lingering questions, giving more background on the vigilantes now that the world building is done, while still surprising the reader with new characters, new revelations, and one hell of a twist at the end.
“Nevernight” seems to be a long study into “this is why we can’t have nice things.” First, there’s Mia, who loses her entire family due to her father’s failed rebellion at the age of 10. She vows revenge, and the only way to get that is to go to a school for assassins (obviously). So, at the ripe old age of 16, she gains admission to a school full of would-be killers, all children with the most horrific and tragic backstories imaginable, because that makes this book edgy and dark and definitely not for young adults despite the main characters ages—and yes, I knew this was no YA fantasy from the get go. I like dark fantasy, I’m usually ok with grimdark stuff, too, but there needs to be a reason other than shock for certain things to be the way they are, and honestly, I think the author just delights in his “edge lord” status a bit too obviously in this first book. Did I like this book? Yes, I did, quite a bit in fact. But mainly toward the end though.
The Call for Finis: Pride is a quick novella full of deeper meaning. Told in a type of omniscient third person POV that flows between the three main characters as needed, we’re presented with a story that may feel a bit familiar to some readers. The main character may be Salvia, but the reader is given almost equal page time with the knight Baldric and his companion, Zinnia as they travel the countryside—rather reluctantly at times—keeping Salvia safe as she and the demon within travel to purge a city of sin. It was an interesting look at demons and angels that flipped the traditional view of demons on its head. I really loved the demon, Ultor! The novella is also not subtle about the social issues it incorporates from our current world and places within this fantasy setting, keeping it very rooted in a world that is unnervingly similar to ours at times.
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