If you are a fan of slow burn, rock-and-roll romances in stand alone contemporary books, and also happen to be a big music aficionado, I cannot recommend “The Girl with Stars in Her Eyes” enough. We follow our FMC as she navigates the recording world, having finally left her middle of nowhere town and gotten away from her less than stellar home life, all after being abandoned by the boy who swore they’d escape together and make a name for themselves together. Toni is an incredible guitarist, but in a world that’s still very much sexist (and racist though the author focuses more on the sexist aspects) Toni, who prefers to work behind the scenes, is constantly passed up for her less talented, male counterparts. It’s after one such encounter where the boy who broke her teenage heart comes back unexpectedly into her life. What follows after that meeting is a sweet, sort of second chance romance that really dives deep into the characters, their emotions, and growth from who they were as teenagers, to who they are when the book starts, and beyond. It’s a well written character driven romance, even if the book does feel its length at times.

If you’ve been missing “Bridgerton”, as in the Shonda Rhymes show, then this book is 100% for you. I haven’t read the Julia Quinn books, so I can’t say on that front how closely “Aphrodite and the Duke” line up there, but the parallels to the Netflix show are easy to see. You have a tightly knit family traversing the “ton” as one daughter begins her season, the balls are colorful and over the top, the queen feels taken straight from the show with her attitude and massive wigs, even the title of this book is closely tied to that of Quinn’s. Plus, you have our main character who is so attractive she’s intimidating and thus has a hard time getting suitors, though the one she does want has broken her heart before and, due to his family trauma, doesn’t really want a wife though he is obsessed with Aphrodite. I could go on, but trust me when I say that if you want a fluffy romance steeped in the regency vibes of Julia Quinn and Shonda Rhymes, give this historical fiction romance a try!

I have to say, I probably made a mistake with trying to read the “Throne of Glass” series before starting this series by Sarah J. Maas, as I am finding this book to be vastly better despite all the spoilers I’ve already encountered. The spoilers are my fault; this series is insanely popular and I wanted until NOW to start it. So with all the beautiful fan art of the characters floating around, let’s just say I knew certain elements very intimately of this series long before I cracked the spine on “A Court of Thorns and Roses”. But you know what? I think those spoilers actually helped me enjoy this book more. No, really! This first book is supposed to be a Beauty and the Beast retelling, but I found it to be much closer to East of the Sun, West of the Moon. So, if you are like me and haven’t started this book yet, hopefully that gives you a pretty good idea of what you’re getting into. The world is split between the humans and the fae by a literal wall that really only seems decent at keeping the humans out, so of course tensions rise when Feyre accidentally kills a fae when she was simply trying to feed her family. In the fae realm, Feyre learns what really happened during the bloody conflict between their peoples, and also learns to not hate the fae, and they in turn (at least some) learn not to hate humans.

This is my first Colleen Hoover book, and with all the hype surrounding this author, I will admit I was expecting a lot. I wanted to read “Verity” mostly because it’s a romantic thriller and I wanted to read something that was meant to be a bit unsettling. And the premise of “Verity” is definitely that! This book very much has “Gone Girl” and “Jane Eyre” vibes where you have a relatively unknown author coming in to finish a very successful author’s series. Verity cannot finish her series being confined to a near vegetative state in her home, so never one to let a good series go to waste, her publishers bring in Lowen to finish out the series. Lowen is a thriller writer herself, so that’s kind of the justification for her being qualified to take over Verity’s work, who writes her books from the villains POV. As Lowen tries to figure out how to write this series, she stumbles across Verity’s autobiography and uncovers not just the depth of this family’s tragedy, but how deranged this successful author is, all while falling in love with Verity’s husband. There are definitely some creepy elements but ultimately, the longer I sat with this book and thought about it, the more I disliked both the story and the way it was written.

“A Dark Infection” is the sequel to “A Dark Inheritance” in which ten years have passed since Tina was taken by the vampire, Kalmar. Slowly, she is being turned into a vampire herself, as the properties in her blood allow for her to accept the virus that is being introduced to her bloodstream through Kalmar. And, just like its predecessor, this book does not shy away from the fact that much of Tina’s current situation was, and is, not one of her choosing. So few with her blood type remain that she is coveted by vampires in order to ensure the survival of their species, but, and more importantly, she is vital to Kalmar. While Tina still struggles with the idea that perhaps her feelings for her vampire abductor, even ten years later, are not real and just a form of Stockholm Syndrome (which is valid), Kalmar has bonded to her, and wishes to remain that way. Despite stronger forces wishing to claim him as their own, and giving Tina away to another vampire in the process, Kalmar wants no other. While the vampire world of danger and intrigue continue to sweep Tina up in its wake, the world Tina was forced to leave behind also comes back to haunt her, weaving into a new mystery that threatens to destroy both of the worlds Tina inhabits. Except Tina, once again, doesn’t seem to be given a choice about which world she gets to save.