What happens when a murder occurs in the afterlife? That, in a very broad nutshell, is the premise of “Valhollywood” where an up-and-coming actor suddenly finds himself to be a resident of the afterlife, where the populace are the famous and infamous. The story is an homage to the authors love of Golden Era film wrapped up in a noir murder mystery with a very heavy sprinkling of spiritualism—maybe too much, but more on that in a second. Jake, still grappling with the fact that he’s dead and rubbing elbows with Humphrey Bogart, Frank Sinatra, and Ava Gardener, finds himself suddenly thrust in a whodunit murder mystery when one of Valhollywood’s residents actually dies ahead of fading as her fame dwindles to nothingness. Solving that murder and unraveling how it happened was where this novel truly shined! Unfortunately, the detour this book makes left something to be desired.

I’ve always been fascinated by true crime. Lately I’ve been so enmeshed in modern crimes that it was interesting to step back in time and read about a grisly Victorian era murder that sparked the craze of the “detective” and the amateur sleuth—something that continues today and is far more embraced than it was in the 1860’s. The author takes a deep dive into this well to-do family that wakes up one morning to find that someone within the household has murdered a three-year-old little boy. Perhaps the deep-dive was a bit too deep into tangential topics at times, but I really enjoyed seeing how the murder of little Saville sparked a fascination that is still raging today.

Picture this: a massive asteroid is careening toward Earth and only one person has the technical know-how in order to save the planet. Then, fast-forward sixty some odd years, to where the world has been saved! Mission accomplished! But now the scientist that saved the world feels threatened, so, naturally, she reaches out to the person who ran her security while she was saving the world. Only problem is, she’s dead when he arrives. Thankfully, in the years following saving the world, our MC (who is unnamed the entire story…) became a detective, so he should be able to handle this, right? Well, sort of. For a book featuring a trained detective, he acts more like a private investigator. A really grumpy, gloomy, cynical middle-aged PI who often wallows in self-pity, but, you know, still a PI. This book sounded so interesting! But I don’t think it delivered on what the synopsis promised, which was a letdown.

“Naked in Death” is my first J.D. Robb/Nora Roberts book, but I’ve been really digging futuristic crime and mystery books that feature actual cops and detectives, rather than amateur sleuths, that I just had to read this! Eve Dallas is a gritty detective who does not stop until she gets justice for her victims. In this case, professional sex workers who are brutally murdered by a client, their last moments recorded and sent to the police. It’s an old-fashioned crime on the backdrop of a futuristic world with flying cars, and where real coffee is a luxury. But for all the developments that this city has, the biggest issue they face is that their advances allow for all DNA to be purged easily. So a violent crime that could have been solved quickly, turns into a mystery and a race to solve before more women end up dead. But the crime itself tends to become secondary to the romance that quickly—and I mean QUICKLY—unfolds between Eve and a potential suspect… Which, and this is probably the first time I’ll say this, would have made this book better if the lead was an amateur sleuth instead of a detective.

“The Trapped Girl” is the fourth book in the Tracy Crosswhite series, and while most of the books in this series focus on one case to be solved, so you don’t necessarily have to read them in order, I always recommend that you do. Dugoni doesn’t overly explain or refamiliarize the reader with certain characters, so you’ll miss some of those nuances if you don’t read these books in order. That being said, much like the rest of Tracy’s books, this one is full of twists and turns, some of which I saw coming, some of which I didn’t. We start by finding a woman in a crab pot. Her identification is hard to decern given the state of the body, and made even more complicated by the fact that the woman has had extensive surgery to hide what she looks like. The mystery starts off complex, and only gets more so as the case unravels. Who is this woman? Why was she running, and from who? And is the person she was running from her murderer? The thing I always enjoy about Dugoni’s crime and mystery books is that it feels like reading an actual police case. As someone who loves true crime, I find that format best for stories like these, but it can read a bit dry, a bit too bland, for some people.