This book has Jason Bourne vibes all over it: the best “gun for hire” out there suddenly finds himself on the other side of the sniper’s scope. He doesn’t know who put the contract out on him or for what offense—he’s a legend in his field, so the list of people who want our main character dead is pretty long. If Eidolon—also known as John, which, admittedly, is less intimidating—wants to stay alive, he has to figure out who put the contract out on him, and make them remove the hit, and hopefully before the people who have unexpectedly gotten close to him get hurt. This is a killer with some morals, after all. And, ultimately, if you like military action books with a Bourne and a sort of spy vs. spy vibe, then this is going to be a fast paced, fun read for you. But there are some trigger warnings!
I don’t know where to begin with “Picture Us in the Light”. The simple fact is that, at first, I thought the book was kind of slow and the odd section every now and again written in second person threw me through an uncomfortable loop, but then… well, then magic happened and I fell in love. This is such a great book with so many tender messages and depictions of what it’s like to be a modern day teenager who struggles to be perfect on paper for college admissions, constantly pushed to the brink by helicopter parents, and the deadly consequences of what being told “you aren’t good enough” can do to a young person. There were so many tender moments depicting parent/child relationships, and Danny’s love for Harry. The synopsis makes you think Danny is confused by his feelings for his friend Harry, but he never was. He knew, always knew, that he loved Harry, that he wanted to be with him, that the idea of being far away from Harry in college was devastating. And, interwoven with the slow burn mystery that gets unraveled through the course of the book, is an honest commentary on some current stances when it comes to race in America and immigrants. So, even with the slow start, this book had me as enamored as Danny was with Harry come the end.
If there is one central message to “Sophie Last Seen” it was: grief has no timetable. Or at least, that was the message I took away from this raw tale of a mother’s unrelenting search for her missing daughter. The story focuses on the way grief, and the anxiety riddled feeling of not knowing whether you should mourn someone’s passing or never give up the search, changes people. The way it shapes them and how it can both destroy, and reinvent them. Jesse, at the start of the novel, is nearly destroyed by the lack of answers she has regarding Sophie’s disappearance. She constantly searches, turning herself into an alcoholic and a bit of a hoarder as she believes every little thing she finds is a clue as to what happened to Sophie and where she is. Sophie’s best friend, Star, is nearly crippled by her guilt and the thoughts of what could have happened to her best friend to the point where she is haunted by images of Sophie and turns to self-harm in order to banish the disturbing thoughts and images. Their grief, guilt, and destructive coping mechanisms are incredibly raw and they create a tangible ache in the reader, even if they haven’t experienced what these characters are going through. It’s definitely not a light read, but it is a powerful one.
I don’t usually cry watching sappy shows or reading sweet books. It’s just not something I do. I think the last time I cried while reading was maybe sophomore year in high school and Sirius had just died? Yeah, it’s been awhile. Enter “Far From the Tree”. This book had me, well, not BAWLING because I’m still mostly heartless apparently, but I was tearing up in several places. This book… oh my goodness, so good! So many feels! 90% of it is not traditionally “happy” but that’s what I loved about it; it’s heavy and beautiful. “Far From the Tree” follows the story of three siblings who are separated when their bio-mom puts them up for adoption/loses them to foster care as babies. These kids’ lives are real and raw and tragic, but also inspiring and you just ache for them and want the best for them. They each are going through so much and when they learn that they have siblings, instead of it destroying them further, it turns into this beautiful relationship. The kind of relationship and support system each child needs at that precise moment in their lives.
I’m not a big fan of omniscient POV’s generally speaking. Of the works I’ve read that attempt a true omniscient 3rd person, I’ve never felt like I’ve gotten a good sense of the characters, and the jumps between what one character knows or is doing can be hit or miss, at best. But “Heart of Jet” may change all of that for me! The story follows two Manhattan socialites, I want to say in the very early 1900’s, as they embark on a journey to Scotland where their recently deceased relative has tasked them with easing the tormented soul of their family’s old estate on the Scottish moors. Shedd’s lyrical omniscient style of narration perfectly captured the setting of the era, as well as set the tone for the haunting love story that followed.
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