The title of this book, coupled with the vaguely angelic looking, tribal painted model would have you think this book is some introspective art piece, I mean, the title is essentially a messenger’s speech/monologue, which, it actually is. The monologue I mean, not the art piece. Messenger, the 16 year old main character, is telling the story of what happened to him, his family’s tequila farm, and his entire family plus his love interest, to a therapist of sorts while he recovers in a hospital. The entire book, with very few exceptions, is told through this dialogue, recounting the recent past. Basically, on one rather normal day, Messenger’s farm is destroyed by three alien ships as they land and then begin hunting for something on the property. What follows is the main characters tale of how they ran, what they found, and how everything changed from that moment on.
“The Streets of Nottingham” is a quick little fantasy adventure novella that follows the story of a young boy as he races to bring his childhood sweetheart back from the dead. Along the way, he meets the paranormal god-like figures that have given shape to his village/world, and struggles to get to the place that is foretold in all the ancient scrolls, and yet no one has ever been to in order to save his friend… It’s a titillating premise and Simwinga has a lovely talent for being able to craft a story that feels like an ancient folk tale mixed with some wonderful fantasy elements. But, as is sometimes the case with novellas, I found the length of this story to be the biggest detriment to it, for the author can tell a fun, almost lyrical story, but I always found myself wanting a bit more.
Everything you need to know about this novella can be found in the synopsis, in fact, maybe too much is there. Still, in the world of “Viral Spark” humans have come to rely on machines—specifically digital implants and robots—for pretty much everything. There’s this light, depressing vibe a-la-Wall-E going on in this book that I kind of loved: people cluster like insects in their massive buildings, rarely leaving. Everything from their food to their clothes is 3D printed, and changing the décor of your apartment is just a swipe away on your own augmented reality screen. There is a lovely undertone of a dystopian here that I wanted to see more of, but as this is a novella, the focus remained firmly on the glitches in the main character’s system, and not the world McConnell places the reader in.
What kind of secrets do families keep from one another? Are there truly some that should never be revealed? What is family actually worth? These are some of the very hard, and often times uncomfortable, questions that Goodson brings up in her debut novella. Nothing is as it seems when family members come together to make good on their grandfather/father’s last wish in order to get their inheritance: they all must work together to clean out the old family home. What transpired was such an emotional roller coaster I was completely unprepared for it, but I so loved the ride!
Can ghosts die? What turns a ghost into one of the fabled hauntings that eventually become legend? That is the core of what “Pretty Mary’s All In A Row” is about. 5 Mary’s of legend—Bloody Mary, Mary Quite Contrary, Mari Lwyd (who I didn’t know), Mary Mack, and Resurrection Mary—all occupy the same house, going out each night to haunt and return with the fear of their marks in order to feed and sustain their ethereal existence. The problem? 3 of the 5 Mary’s can’t seem to scare anyone anymore—maybe because they aren’t actually ghosts, but I’ll get to that later, and no, it’s not a spoiler. As they begin to fade, something waits in the dark to take them away forever. Basically: an even badder ghost/demon waits in the dark, terrorizing the ghosts themselves. So much haunting, so little time.
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