If you’re looking for a cozy thriller that has a team of young women with Charlie’s Angels vibes, tech that even James Bond would be jealous of, and with just a sprinkling of sweet romance, then “Spies Never Quit” may just be for you. In the first book of the series (each book following a different woman in the group) follows Mari, a brand-new college freshman, as she attempts to rescue her mother. Mari’s mother is a brilliant scientist working on nano-bot technology who has been kidnapped in order to force her to give up her specialized codes for evil gains. Mari would do anything to save her mother, and, lucky for her, retrieving her mother’s work just so happens to be the Banana Girls mission, too. Normally, I am all for a spy thriller with a predominately female cast of characters, but something always felt just a tad off to me throughout the story.
“Thrill Switch” is equal parts “Ready Player One” and “Silence of the Lambs” with a sprinkling of “Altered Carbon” for good measure. You have detective Ada Byron who has become an expert on Jazlin Switch, a notorious serial killer who managed to murder people in the real world by destroying their avatar in the virtual space known as the Holos. Ada has dedicated her life to studying Switch and becoming a cop all because Switch killed her father seven years ago. Now there’s a new killer out there copying Switch’s style, but are they really? Ada has to face her fears and stop more people from dying, but in order to do that she needs to team up with Holo “native” and FBI agent, Joon, and venture back into the Holos, a place she hasn’t been to since her father died. Worse yet, she may need Switch’s help in order to unravel the conspiracy this new killer is at the center of. Hawkin does an excellent job blending a virtual MMO style world with a real, vaguely dystopian Las Vegas in order to craft a violent and thrilling (heh) cat and mouse murder mystery. This was a fast-paced futuristic crime and mystery story, but was light on the procedural investigation aspect, so take that as you will.
This is my first Colleen Hoover book, and with all the hype surrounding this author, I will admit I was expecting a lot. I wanted to read “Verity” mostly because it’s a romantic thriller and I wanted to read something that was meant to be a bit unsettling. And the premise of “Verity” is definitely that! This book very much has “Gone Girl” and “Jane Eyre” vibes where you have a relatively unknown author coming in to finish a very successful author’s series. Verity cannot finish her series being confined to a near vegetative state in her home, so never one to let a good series go to waste, her publishers bring in Lowen to finish out the series. Lowen is a thriller writer herself, so that’s kind of the justification for her being qualified to take over Verity’s work, who writes her books from the villains POV. As Lowen tries to figure out how to write this series, she stumbles across Verity’s autobiography and uncovers not just the depth of this family’s tragedy, but how deranged this successful author is, all while falling in love with Verity’s husband. There are definitely some creepy elements but ultimately, the longer I sat with this book and thought about it, the more I disliked both the story and the way it was written.
If you have spent any time looking at my reading history and book reviews, you know that I’m a big YA reader, and I also have a huge interest in reading thrillers and true crime (yeah it’s odd but whatever). So, of course, “Stalking Jack the Ripper” sounds like it should tick every single one of my boxes. Just ignore the fact that I was so late to start reading this. We have Audrey Rose, a young woman of wealth and society that leads a double life assisting her uncle in his morgue. She assists in autopsying the recent corpses that come to his lab, until a slew of horrific murders begins in the Whitechapel area, and the first victim of Jack the Ripper makes it to her uncle’s laboratory, with a startling connection to Audrey Rose’s family. It’s a race to discover who Jack is and put an end to these awful murders; and how could Audrey not win that race when the brilliant, Sherlock Holmes-like love interest is there to help? So, tell me then: why did I not like this book?
Just kidding, I’ll tell you.
“Naked in Death” is my first J.D. Robb/Nora Roberts book, but I’ve been really digging futuristic crime and mystery books that feature actual cops and detectives, rather than amateur sleuths, that I just had to read this! Eve Dallas is a gritty detective who does not stop until she gets justice for her victims. In this case, professional sex workers who are brutally murdered by a client, their last moments recorded and sent to the police. It’s an old-fashioned crime on the backdrop of a futuristic world with flying cars, and where real coffee is a luxury. But for all the developments that this city has, the biggest issue they face is that their advances allow for all DNA to be purged easily. So a violent crime that could have been solved quickly, turns into a mystery and a race to solve before more women end up dead. But the crime itself tends to become secondary to the romance that quickly—and I mean QUICKLY—unfolds between Eve and a potential suspect… Which, and this is probably the first time I’ll say this, would have made this book better if the lead was an amateur sleuth instead of a detective.
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