“Wild Beauty” is a magical realism tale steeped in family, race, class, and beauty. We follow our main characters, Estrella and Fel, as they navigate defining themselves, or redefining in Estrella’s case and what space they occupy in the gorgeous gardens of La Pradera, a garden that has cursed the women of Estrella’s family to lose all their lovers, and if they themselves try to leave, it will kill them too. I loved the undercurrent of malevolence always present in the gorgeous botanical garden, and the slight mystery that, that posed, especially when it came to how Fel arrived in the garden in the first place. But that mystery was very, very slow to unravel, which is typical for magical realism I’m finding, but makes me think that this genre and I are just never going to get along.

“There was Music” is a literary fiction fantasy that follows Prisoner 43-1-12 along the path of her many names and the different lives she lives all in one lifetime. Her life is far from easy, when raiders destroy her family’s horse ranch, it sets off a series of events that destroy the world 43-1-12 knew and plunges her into extreme survival mode for years without a break. This story is dark, full of heavy and traumatic themes from torture, sexual assault and rape, as well as suicidal ideations, but the story, at its core, is about healing, so it’s not all doom and gloom, I promise. That being said, I loved the tension of the first half of the book so much, and was sad to see that end.

“Where Acorns Landed” is literary fantasy with an absurdist fiction flare. Meshing Celtic Mythology with Arthurian Legend, and sprinkled with supernatural elements, the reader follows Lowell and Brighid as they navigate loss, and new beginnings, all while clinging almost too tightly to a sense of normalcy. Under the guise of making a documentary, Lowell and Brighid are thrust together just in time to see their corner of the world succumb to a plethora of supernatural sightings. Neither Lowell nor Brighid know who is orchestrating their mystery project, one that seems impossibly linked to their lives, which gives this novel a dark, and sinister vibe to it that I rather enjoyed. Readers will be kept guessing and in the dark about what is happening and why all the way to the end—just like the main characters.

I had to sit with this novella for a while after finishing; mainly to make sense of how I felt about it, or if I even understood it enough to form a valid rating. But ultimately, that was the problem I had with this story. The premise sounded great, but ultimately the quest isn’t all that inspiring, and many times I had to re-read sentences to understand what was happening, just for the author to have moved on to another topic in the next sentence, making for jumbled paragraphs and a reading experience where I never once felt really enmeshed in the story. And while the book deservedly gets praise for how it blends traditional epic fantasy prose with modern day vernacular, I personally found the shifts to be rather jarring. It’s clear that the author set out to craft a really vivid and rich world for the reader to get swept up in, only to make it really uninviting by burying it in a murky and obscure narrative.

What happens to the world when only three of the four horsemen ride? “Misericorde” looks at that in great detail. Set in the future when all horsemen of the apocalypse—except Death—ride, the author presents a world that has fallen back into the Middle Ages. All technology is gone, there is no electricity, and people go back to living in castles in the few places where basic resources can still be found. There is a ruling class that lives in luxury, while all their servants are barely surviving. You never really meet this ruling class though, instead the reader is introduced to a servant, Lourdes, the brutal soldiers she’s tasked with serving, and an Archangel that is determined to find any human still capable of mercy in such a brutal world. This book has “Angelfall” vibes but written with literary prose full of feeling, with well crafted characters, but maybe just a tad too much description.