What happens when a murder occurs in the afterlife? That, in a very broad nutshell, is the premise of “Valhollywood” where an up-and-coming actor suddenly finds himself to be a resident of the afterlife, where the populace are the famous and infamous. The story is an homage to the authors love of Golden Era film wrapped up in a noir murder mystery with a very heavy sprinkling of spiritualism—maybe too much, but more on that in a second. Jake, still grappling with the fact that he’s dead and rubbing elbows with Humphrey Bogart, Frank Sinatra, and Ava Gardener, finds himself suddenly thrust in a whodunit murder mystery when one of Valhollywood’s residents actually dies ahead of fading as her fame dwindles to nothingness. Solving that murder and unraveling how it happened was where this novel truly shined! Unfortunately, the detour this book makes left something to be desired.
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This was such a cozy little period piece fantasy! Most of my friends with similar reading tastes loved this book so I went in with high expectations. The book definitely delivered on most of what I was expecting and looking for, too! You have a socially awkward professor, Emily, who often gave me second hand embarrassment with just how easily she bungles social niceties. The over-the top, charming Wendell who is exceptionally lazy. And a world that is more akin to traditional fae folklore than what you typically see in most romantic fantasies nowadays which I adored! But the “romance” aspect is where this book fumbled a bit. Much like the first book in the series, “Necromancing the Stone” is witty, snarky, and full of pop culture references that make me giggle. If there is a pun to be made, the author makes it with their whole chest and I cannot state enough how much I love that. For a book about a necromancer, this series never takes itself too seriously and ends with a surprisingly touching message about friendship and family (of the blood and found kind). The book series, I am happy to say, never strays into the overly goofy or campy areas either, despite the obvious fun the author had writing it. Sam is one of my favorite male YA heroes because he’s just so… normal. Even in this second book as Sam navigates the consequences following “Hold Me Closer Necromancer”, his newfound powers, and a house that lowkey tries to kill him, he never strays from who he is at his core: a good guy. He’s not a soft, sensitive poet, he’s not very suave, and often chooses flight rather than fight. But he’s sarcastic, nice, loyal, and tries to do better whenever he can. He’s genuinely a decent guy and I love how normal he’s portrayed, even with the whole necromancy bit. I struggled with this review, no lie. Because “Iron Widow” is a vibe I love. You have this exciting sci-fi fantasy world with incredible mecha fights that, visually in my minds eye, are just incredible. I love visually exciting action and “Iron Widow” delivers on that front. But I wouldn’t call this book a feminist powerhouse that breaks the patriarchy. Or, I guess it does break the patriarchy through the easiest means necessary: annihilating everyone in the way until the only power left is Wu Zetian (their words, not mine). What this book is, is pure female rage. I love female rage. Punish the boys that hurt the girls, all day every day. But when a book is, supposedly, meant to be this strong female character that breaks a system that benefits from young girls’ ultimate sacrifice, Zetian doesn’t do any of that. Female rage cannot be the only personality trait for a main character, and yet, here we are. This is one of those true crime books I recommend reading alongside something else. Not because the stories included in “American Murder Houses” is particularly gruesome or detailed, but because it’s just not that engaging otherwise. I’m not saying that the selected houses aren’t worth talking about, some are genuinely interesting and I learned a lot about the lore surrounding places that have since become legend (like the Amityville House and The Gardette-LaPrete House). And while most of the houses are famous either because of the serial killer who lived there, or the fame the murders themselves garnered (either because of the celebrities involved or the media circus around the crime) the selection of the homes and crimes included was… odd. Meaning, the house itself was an afterthought and not really involved in the crime the way you’d expect from “murder houses”. |
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