“The Witch Finder” is a dystopian post-apocalyptic story where the America we once knew, and the world as a whole, has been practically destroyed when fragments of the moon crashed to earth, triggering a nuclear war. In the aftermath, the survivors went back to tribe-like societies, forgetting their history in order to survive. By the time the book starts, we are close to a thousand years after the apocalypse and are in the south of America where magic is real, and The Church has become God instead of the other way around. That’s where Malachi and his crew come in. They hunt down not only magic users (witches, that all tend to be women) but also heretics and people who go against The Church in a “free thinker” sort of vein. Malachi is not likeable to start, he’s not meant to be, as the whole story focuses on his transformation from staunch believer in The Church to a free thinker himself. I just don’t think his transformation was as complete as I would have liked.

This is my first truly “smut” book. Everything smut and spicy is so BIG on social media that I decided to see what the fuss was about with a book I’ve had for awhile but kept putting off. This is my first Katee Roberts book, too, so I’m sure that people who are familiar with her work are not surprised in the least that this was smut with a “plot” that revolves entirely around said smut. Do with that as you will. Loosely, this book is about vampires, with a half vampire trying to find a way to escape these predators and her abusive father. Along the way she learns there is more to her than meets the eye and apparently sex and orgasms and breeding is the way to unlock her powers and her freedom. I think the only thing I’m really glad about is that I read this version rather than the books individually, otherwise I think I would have been even more disappointed.

I’m a big fan of Wells’s “Murderbot” series so I wanted to give her new fantasy book a try! But I went in knowing that “Witch King” is nothing like the Murderbot novellas, and I didn’t expect it to be, either. These are all new characters in a world very different then what I was used to, so of course I didn’t go in expecting the same humor and voice that I get with Murderbot. I think a lot of people kind of forget or don’t realize that when starting this book… Which is a dual timeline of our main character, a demon named Kai, and his witch bestie, Ziede as they try to uncover who abducted them, why, and the greater conspiracy around that—all while going back 60 years to see a young Kai as he becomes the demon and Witch King we see in the present chapters. This is a very ambitious fantasy world full of complicated political intrigue and warring factions and races all with their own kind of magical abilities and belief systems. The magic system felt vague from start to finish, however, and I think only one timeline truly delivered on the experience I was hoping for from Wells.

I know I say this a lot, but I LOVED the idea of this book. Put the Olympian gods smack dab in New York during the height of prohibition and make them the biggest criminal organization selling booze and running brothels? Uh, yes please! I have recently been on a mafia and organized crime kick so I figured this was the perfect time to finally settle in and read this book, especially since I do love me some Greek mythology. But the story I got wasn’t the one I was expecting, and not in a good way either? Kind of, even now I’m still a bit conflicted.

First of all, I cannot recommend the audiobook narrated by the full cast nearly enough. It’s like one of those classic radio dramas and I am here for it! And now, for the book itself. “The Graveyard Book” is, I think, a book meant for children. But it starts with the murder of the main characters entire family when he’s just an infant, but he’s too excited by an open door and an awaiting adventure to notice. He ends up in the local graveyard where the resident ghosts and vampire (though I think it’s wonderful that Gaiman never uses that word, but we all know what he is) decide to protect and raise the child as their own. Each chapter is a little window into a year of Nobody Owens life as he grows and is taught by the different ghosts and the lessons he learns along the way. Because of this format, the adventure eventually ends before everything is wrapped up. Which is by design as we get the story mainly from a child, after all, but it could be a little frustrating at times.