If you’re looking for a futuristic semi-dystopian where country disputes are settled through Olympic-style virtual sporting events played to the death (kind of like the Hunger Games), but with a distinctly “Matrix” vibe to it, well, that’s “MegaDeath” in a nutshell. In this futuristic version of the world, the global pecking order is decided every 4 years through a series of virtual simulator competitions which have replaced all wars. Sounds kind of nice, except the losing team dies and there’s something very fishy going on with the bets people make around these top athletes, and the Control system that puts on these virtual games. That’s where our main character, Megan, comes in. She is the elite of the elite when it comes to dominating in these games, but she doesn’t play for glory. She plays because she is in such intense anger and grief that she wants these games to punish her. That’s really compelling, but, unfortunately, Megan spent too long being an unlikable character to really get me invested in her, or the conflict.
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This is pretty much "Saga" meets DnD with some super sassy, modern babes leading the charge. This whole bindup was just feral FUN honestly. I love me some unapologetically badass babes with strong friendships and swords. My only issue was that, at times, the story could be a bit disorienting with what was happening, the story arcs could have been tied together a bit better to where the story flowed. As it was, there were times where I thought I was missing a volume or something, which is impossible given the bindup. What a perfect little novella! I was immediately enmeshed in the characters lives and their predicaments and felt like I knew them for much longer than the short novella actually allowed for. This sapphic, regency story included so many great tropes, too: one bed, forbidden romance, plus a nice little revenge plot for good measure. I’m familiar with the Island of Doctor Moreau in the way that most people are: I’ve heard of it, know the basic story of a mad scientist doctor making human/animal hybrids through vivisection, and that’s about it. It’s a “classic” so of course I haven’t read it cover to cover. But that didn’t stop me from being intrigued by the re-imagining of said classic with the added bonus of the doctor’s daughter (who doesn’t exist in the original). When you add that it's set in a historical fiction backdrop during nineteenth century Mexico, and the conflict between the native Maya population and the Spanish/European colonizers, then I'm sold! With that setting, Doctor Moreau’s hybrids have a much more chilling, and all too real, purpose: a form of slave labor to the wealthy landowner and patron of our mad doctor. The writing was lovely and I thought fit the time period the book is set in perfectly, and I loved the parallels made between the hybrids and how most indigenous populations are treated by colonizers. So why didn’t I love this book? I first fell in love with Axelrod’s work through “The Girl with Stars in Her Eyes”, the first book in the Lillys contemporary romance series, all featuring absolute rock star women. In this book, we follow the best drummer around—Kayla—as she tries to stay one step ahead of her secret identity getting out, and their booknerd, kilt wearing tour driver—Ty—as he tries to reclaim his life after being falsely accused of a crime. Both of them are trying to live their truth, while still hiding aspects of themselves that don’t represent the people they are. It was that connection—plus an absolute love of literature and the same taste in alt-rock music—that became the basis for this instant attraction, and slow burn romance where authenticity and consent are key. |
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