“The Witch King” is a fantasy parallel of real-world issues, for example: racism, slavery, and anti-LGBTQA+ movements to just name the big ones. This book is not an allegory of any of that, and is quite clear in its messaging. I don’t say this because it’s a bad thing, but it more to accurately summarize the plot of this story without getting into specific details that could be considered a spoiler. I want/need to read more diverse books so reading a book by a trans author about a trans witch was perfect, especially when you throw in the complications of two different worlds (literally) colliding and then the difficulties of fighting against a fated-mate type trope. But while I love the idea of Wyatt, as a main character I found him to be anticlimactic.

I’m going to start by saying that pretty much everything “big” about this series has been spoiled for me long ago because of how insanely popular this series is, and all the incredible art that gets done for it. That’s no one’s fault but my own because I have no chill about those kinds of things. But, despite nothing really being a mind-blowing surprise, and considering the beast this book is in terms of length, I still DEVOURED it. Really, that should tell you everything you need to know and it’s all I’m really letting myself focus on when it comes to “A Court of Mist and Fury”.

I know I say this a lot, but I LOVED the idea of this book. Put the Olympian gods smack dab in New York during the height of prohibition and make them the biggest criminal organization selling booze and running brothels? Uh, yes please! I have recently been on a mafia and organized crime kick so I figured this was the perfect time to finally settle in and read this book, especially since I do love me some Greek mythology. But the story I got wasn’t the one I was expecting, and not in a good way either? Kind of, even now I’m still a bit conflicted.

“Temple of Ice” follows Tama, a winter mage on the cusp of becoming an elite warrior alongside her two best friends. In Cura’s world, the land has been punished by their goddess to be forever encased in ice, with an evil goddess threatening to emerge and plunge their world into darkness; and no, the bad goddess is not the same as the one who put this land in a deep freeze. Tama learns to appreciate her friends’ differing talents with ice magic, and also finds love in the arms of a beautiful woman who loves Tama’s wild spirit. But Tama, her friends, and her land are suddenly thrust into violence when a betrayal from within threatens to unleash the dark goddess once and for all. The world concept is very cool (heh) and while I liked the sapphic representation in this book, the story as a whole felt like I was reading a companion novella to an already established world/story.

First of all, I cannot recommend the audiobook narrated by the full cast nearly enough. It’s like one of those classic radio dramas and I am here for it! And now, for the book itself. “The Graveyard Book” is, I think, a book meant for children. But it starts with the murder of the main characters entire family when he’s just an infant, but he’s too excited by an open door and an awaiting adventure to notice. He ends up in the local graveyard where the resident ghosts and vampire (though I think it’s wonderful that Gaiman never uses that word, but we all know what he is) decide to protect and raise the child as their own. Each chapter is a little window into a year of Nobody Owens life as he grows and is taught by the different ghosts and the lessons he learns along the way. Because of this format, the adventure eventually ends before everything is wrapped up. Which is by design as we get the story mainly from a child, after all, but it could be a little frustrating at times.